‘MEGALOSTRUCTURES’ ARE ABSTRACT EXPRESSIONIST COMPOSITIONS, EXPLORING ARTISTIC STIMULUS WITHIN FORMAL MAXIMALISM.
WITHOUT REPRESENTATION OR SPECIFIC DEPICTION, VIEWERS MEANDER THROUGH THE ENTIRE IMAGE FROM DIFFERENT POSITIONS AND FOCAL POINTS.
THEIR MASSIVE SCALE DRAWS AUDIENCES INTO AN IMMERSIVE EXPERIENCE, INDUCING A SENSORY OVERLOAD IN A BOUNDLESS UNIVERSE.
Candydate
2017
Pharmasutra
2017
Psychoseismic
2018
Crazifrutti
2015
Khromaskelter
2015
MEAGLOSTRUCTURES
Prospectus
Candydate, 2017
(1) Medium Print
Pigment Ink Print Fine Art Print
54” x 132” (4.5’ x 13.5’)
Edition of 8
(2) Large Print
Pigment Ink Print Fine Art Print
54” x 132” (4.5’ x 13.5’)
Edition of 6
(3) Extra Large Print
Pigment Ink Print Fine Art Print
54” x 132” (4.5’ x 13.5’)
Edition of 6
(4) Supersize Site Specific Installation
Various sizes and materials subject to site
Commission of 3
Pharmasutra, 2017
(1) Medium Print
Pigment Ink Fine Art Print
54” x 132” (4.5’ x 13.5’)
Edition of 6
(2) Large Print
Pigment Ink Fine Art Print
54” x 132” (4.5’ x 13.5’)
Edition of 6
(3) Extra Large Print
Fine Art Print Museum Grade Paper
Edition of 6
(4) Supersize Site Specific Installation
Various sizes and materials subject to site
Commission of 3
Psychoseismic, 2021
(1) Medium Print
Pigment Ink Fine Art Print
54” x 132” (4.5’ x 13.5’)
Edition of 6
(2) Large Print
Pigment Ink Fine Art Print
54” x 132” (4.5’ x 13.5’)
Edition of 6
(3) Extra Large Print
Fine Art Print Museum Grade Paper
Edition of 6
(4) Supersize Site Specific Installation
Various sizes and materials subject to site
Commission of 3
Crazifrutti, 2026
(1) Medium Print
Pigment Ink Fine Art Print
54” x 132” (4.5’ x 13.5’)
Edition of 6
(2) Large Print
Pigment Ink Fine Art Print
54” x 132” (4.5’ x 13.5’)
Edition of 6
(3) Extra Large Print
Fine Art Print Museum Grade Paper
Edition of 6
(4) Supersize Site Specific Installation
Various sizes and materials subject to site
Commission of 3
Khromaskelta, 2026
(1) Medium Print
Pigment Ink Fine Art Print
54” x 132” (4.5’ x 13.5’)
Edition of 6
(2) Large Print
Pigment Ink Fine Art Print
54” x 132” (4.5’ x 13.5’)
Edition of 6
(3) Extra Large Print
Fine Art Print Museum Grade Paper
Edition of 6
(4) Supersize Site Specific Installation
Various sizes and materials subject to site
Commission of 3
"MEGALOSTRUCTURES"
FORMAL MAXIMALISM FOR THE MASSES
MEAGALOSTRUCTURES ARE EXPRESSIONIST
COMPOSITIONS, FORMED THROUGH OBSESSION AND FASCINATION WITH THE ELABORATE.
WITHOUT REPRESENTATION OR SPECIFIC DEPICTION, VIEWERS MEANDER THROUGH THE ENTIRE IMAGE FROM DIFFERENT POSITIONS AND FOCAL POINTS.
REALISED IN LARGE SCALE, WORKS CREATE AN IMMERSIVE EXPERIENCE. INVITING AUDIENCES INTO A BOUNDLESS UNIVERSE OF INFINITE COMPLEXITY AND INDUCING A SENSORY OVERLOAD, While "To understand is to be wrong" works beautifully as an internal philosophy, it is a bit academic. "ACCEPTANCE IS FUTILE" is incredibly punchy, subversive, and instantly grabs you by the throat.
It completely upends the classic Star Trek trope ("Resistance is futile"), turning a famous pop-culture phrase about forced submission on its head. Instead of telling the viewer to give up fighting, it tells them that giving in, settling down, or finding neat closure is impossible. It perfectly sets up a book full of chaotic, cynical, and restless phrases. It tells the reader right from the cover: Do not look for peace or easy answers here.
If you use this as the main title, "To understand is to be wrong" doesn't have to be thrown away—it makes for the perfect subtitle or opening manifesto line on the very first page.
Would you like to see how these two phrases look paired together on a mockup text layout for the cover, or should we look at how "ACCEPTANCE IS FUTILE" changes the vibe of the other phrases you chose?MEAGALOSTRUCTURES ARE EXPRESSIONIST
COMPOSITIONS, FORMED THROUGH OBSESSION AND FASCINATION WITH THE ELABORATE.
WITHOUT REPRESENTATION OR SPECIFIC DEPICTION, VIEWERS MEANDER THROUGH THE ENTIRE IMAGE FROM DIFFERENT POSITIONS AND FOCAL POINTS.
REALISED IN LARGE SCALE, WORKS CREATE AN IMMERSIVE EXPERIENCE. INVITING AUDIENCES INTO A BOUNDLESS UNIVERSE OF INFINITE COMPLEXITY AND INDUCING A SENSORY OVERLOAD,